One thing I always do when I start a new writing project – if possible – is go out and take some reference photos. I usually don’t actually use them that specifically – I rarely describe something featured in the pictures in precise detail – but I do find having them to hand, or even the act of taking them, helps me build atmosphere when writing. At least it does usually; it’s not a precise science by any means.
This weekend saw the final unveiling of the the See No Evil project in Bristol; Europe’s largest street art exhibition. It is, to say the very least, an extraordinary, breathtaking achievement. Graffiti artists not just from Bristol but around the globe descended on Nelson Street, transforming the whole area from drab, urban decay into what feels like a new – almost virtual – space. It is truly something that needs to be experienced, but hopefully some of the photos I grabbed (along with the many on the official Flickr page) will give you some idea of its scale and raw beauty.
Despite having been
boringly safely back in the UK for over a month now, I’m still only just managing to mentally process everything we saw and experienced in Tokyo. A major highlight for us, in fact one of the main reasons for going in the first place, was our trip to the Studio Ghibli Museum in the suburb of Mitaka.
Got out and about last night – dropped into “Weapon of Choice” – a live graffiti jam at Mr Wolf’s – a little bar here in Bristol. Couple of drinks, some nice beats and some, erm, entertaining rhymes from Nerdcore rapper MC Nucleuz – all whilst local graf talent Lokey and Cheo busied away making some art. Originally headed down there under the premiss of doing research for a short story I’m writing about near-future AR graf artists, but ended up having too much of a laugh to care about all that. Did fire off a whole bunch of photos though, so check the links below or hit the Flickr slideshow for even more…