Archives for category: manga

Ironically, the titular anti-hero takes a bit of a back seat in my favourite Black Jack story to date. Instead it is left to a company president and a construction worker to make the hard moral decisions in High and Low, taken from the first of these three latest Black Jack collections. Set during a recession, and highlighting the disparity in status – but also the common human bond – between corporate fatcats and the working class it can’t help but touch a nerve in today’s economic climate. A stunning example of Osamu Tezuka’s continued relevance, it’s tempting to call it a stand-out story, but in honesty that would be doing the other tales here a disservice.

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Someone is killing robots. Not just any robots either; apparently someone is hunting down and killing the world’s most powerful and famous robots. And this is a problem for Inspector Gesicht of Europol, not just because he’s been put in charge of tracking down the killer, but because the list of victims so far suggests he might be a target himself.

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One name has dominated manga over the last few years – in the west at least – Naoki Urasawa. Probably best known for his dark mystery series (and it’s subsequent anime spin-off) Monster and Pluto, his recent re-telling of a story arc from Osamu Tezuka’s Astro Boy, the series that has most recently grabbed not only the attention and awards but also spawned a trilogy of live action movies is the sci-fi and comedy tinged mystery 20th Century Boys. Despite the ferocious buzz around the comic across manga-fandom, I’m slightly embarrassed to say that it was only this month I finally managed to sit down and check it out, courtesy of Viz Media dropping me copies of the first two books to review.

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Even if you’ve never read a single page of manga before, the chances are you’re familiar with Osamu Tezuka – and if the name isn’t familiar, then it’s likely that his most famous creation Astro Boy, is. Even though she’s never, to my knowledge, read a page of the manga herself, my girlfriend’s most prized purchases during last year’s Tokyo shopping exhibitions where the t-shirts featuring the iconic robo-Pinocchio she picked up in Harajuku. But Tezuka – often referred to as the ‘God of Manga’ and the ‘Father of Anime’ – had an impact beyond his cute character designs and children’s adventure stories, with even Astro Boy at times exploring the darker sides and moral ambiguities of human nature, and perhaps his strongest vehicle for this being the character Black Jack.

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I’ve been wanting to check out the bestselling Manga Guide series since I first saw images of them when they were published in Japan, so I was thrilled this week when I received the first four English translations, courtesy of their US publisher No Starch Press. I’ve already got a large and random collection of teach-yourself, ‘Dummies guide’ style manuals covering everything from web development to postmodernist theory, so combining that format with manga artwork was obviously going going to snare my interest. The question was though, where the books serious study aids or just another Japanophile curiosity?

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Images courtesy of the brilliant Ghibli Blog.

You may remember that earlier in the year I reported that animation god Hayao Miyazaki was drawing an aviation based manga Kaze Tachinu (The Wind Rises) for Japanese magazine Model Graphix. Well, it seems he’s been enjoying returning to his mangaka roots, and is now considering penning a sequel to his classic film Porco Rosso for the magazine. He prototyped the movie in manga form for the mag back in 1990 in the form of Hikōtei Jidai, the French translation of which being the source of these fantastic images. Anime News Network has the lowdown:

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Following on from last week’s look at Rory Doona’s promo artwork for the TOKYOPOP UK summer releases, he’s kindly given me his latest work for them – this time with a vampire theme. I think you’ll agree it’s fangtastic.

I’ll be here the whole week. Tip your waitress. Try the veal. You’ve been a great audience. Goodnight everybody etc.

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I just got dropped a tasty treat from Rory Doona – who some of you will undoubtedly remember from my recent look at UK manga artists – a look at his promotional artwork for manga publisher TOKYOPOP. The piece is to promote their forthcoming UK summer releases, so Rory went for a summer beach vibe with a giant-manga-squid-attack twist. Kind of reminds me of the end of Watchmen (the book). If it had been set in Blackpool.

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One of the nicest things about running this site has been the number of people that have contacted me directly to chat about our shared interests. Perhaps not surprisingly a lot of them seem to be from creative backgrounds – graphic designers, artists, animators, writers, CGI modelers, mangakas – some from Japan, many from Europe and even more from the US. But today I want to showcase the work of three people from here in the UK whose anime and manga influenced work has really impressed me.

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It’s very hard to underestimate the global impact of Katsuhiro Otomo’s film adaptation of his own, epic manga Akira. It broke box office records when it opened in Japan, and along with Ghibli Oscar winner Spirited Away it is probably the anime film most western ‘non-fans’ have seen. For many of my generation it is a much treasured and personally important film and, without resorting to hyperbole, one that the first viewing of was a life-changing experience, akin to watching Star Wars, 2001 or Blade Runner for the first time.