Kenji Kawai Links > Anime & Manga Madhouse movies oshii Patlabor politics Production IG reviews science fiction The Sky Crawlers

The Sky Crawlers (2008): Review

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If you’ve read this site before, or even just glanced over it’s archives, then my appreciation and admiration of director Mamoru Oshii is clearly laid out. As such it would seem not only redundant but also somewhat self indulgent to elaborate further on my love of his tense political sci-fi dramas Ghost in the Shell and Patlabor, or his low budget, live action masterpiece Avalon. Ever since his latest feature film The Sky Crawlers was first announced I have been gripped with excitement and anticipation – although, as always, resigned to the long wait us western fans must endure before we are granted an audience. This week that wait finally ended, and putting aside my deep rooted fanboy allegiances for just under two hours, I was able to sit down and see if anime’s most esteemed auteur could still deliver the goods.

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Takashi Iwai – Manga Headphones Catalogue & Guidebook (新・萌えるヘッドホン読本) (2008)

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I know a lot of people really dug the Anime Guide to Headphones image I posted up a few months ago, myself included, so I couldn’t resist picking up the book it was meant to promote when I stumbled across it in Mandarake.

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Yet again – as with all these Japanese artbooks – it’s beautifully printed. Each double page spread features a page of Japanese text and diagrams about a particular brand and model of headphones opposite a large, full colour illustration of a girl modeling them.

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Ghost in the Shell 2.0 (2008): Review

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Some of you might remember my concern back in June when I first reported on Production IG’s planned visual update to Oshii’s 1995 classic Ghost in the Shell. Well, the Blu-ray of GiTS 2.0 (not to be confused with GiTS 2: Innocence, which will also be referred to a lot in this piece) hit Japanese stores a few weeks ago, and via sources that I’m not at liberty to identify I have managed to get my hands on a preview copy – months before the (still yet to be confirmed) UK release. So it was that I found myself, on the first morning of 2009, sitting down to watch one of my favourite movies of all time again, but instead of being filled with the usual satisfying feeling of anticipation, I was gripped with something nearer to dread.

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