Quick post – just wanted to say thanks to everyone that came and checked out the See No Evil post last week, the response was phenomenal. Thanks especially to Cory Doctorow over at Boing Boing for picking it up, and to all his readers that swung by.
This weekend saw the final unveiling of the the See No Evil project in Bristol; Europe’s largest street art exhibition. It is, to say the very least, an extraordinary, breathtaking achievement. Graffiti artists not just from Bristol but around the globe descended on Nelson Street, transforming the whole area from drab, urban decay into what feels like a new – almost virtual – space. It is truly something that needs to be experienced, but hopefully some of the photos I grabbed (along with the many on the official Flickr page) will give you some idea of its scale and raw beauty.
It’s hard to walk down a street in urban Tokyo without being reminded of the ever-present earthquake threat. Large signs on nearly every street notify you of emergency procedures and direct you to evacuation points. While it is undoubtedly drowned out by the background noise and visual blur for the average Tokyo resident, for a tourist it can seem quite startling or disturbing at first, and feel like health and safety overkill. Until, that is, someone points out to you that experts predict there is 70% or higher chance of an earthquake measuring 7.0 magnitude on the Richter scale hitting Tokyo in the next 30 years. It’s a terrifying situation for an urban population that large, and one that forms the basis for Studio Bones and Kinema Citrus’ eleven part series Tokyo Magnitude 8.0