
The first thing about Shinji Aramaki’s Viper’s Creed to grab my attention when scanning through last season’s schedules was that it is a mecha series that deals with life within a Blackwater style Private Military Company, or PMC. Set in the crumbling, flooded Fort Davia, a fictitious city attempting to rebuild itself after the devastation of global warming and a subsequent world war, it follows a squad of ‘Blademen’ – mecha pilots employed initially by Arqon Global Security (AGS) to defend the city from rogue, discarded automated weapons. However, as the plot unfolds events become far more complex, with the main characters finding themselves embroiled in conspiracy and the object of hatred from a dissatisfied public.
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