Archives for the month of: February, 2009

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At nearly two years after 5 Centimeters Per Second’s theatrical release in Japan, it would be fair to say that this is a pretty late review. Usually I would shift the blame for that on to how the whole localisation and distribution process leaves us Europeans often years behind Asia – and I wouldn’t be being utterly dishonest – but I have to admit that there has been other factors at play causing this delay. First I had to find the right time to watch it, which meant a time when both myself and my partner could sit down together – while much of my anime watching is done on my own, watching a Makoto Shinkai film for the first time without her would be unthinkable. Secondly, and perhaps most importantly, ever since the end credits rolled, I’ve been dreading writing this review. Never before has an anime film left me feeling so conflicted.

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That’s right folks, February 28 is the First Annual Global Makoto Shinkai Day, organised by the wonderful fansite Cherry Blossoms Falling. Plus, controversial anime steaming site Crunchyroll will apparently be offering all the director’s movies available for free for those 24 hours. Good option as a last resort, but really if you can try and get your hands on some DVDs or even Blu-rays if you want to check out his beautiful work for the first time.

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Some of you may remember that I picked up several special treats on my visit to the Ghibli Museum in November. Chief among them was the Blu-ray of the Kazuo Oga Exhibition: Ghibli No Eshokunin – The One Who Painted Totoro’s Forest. It was something I’d been planning to grab ever since I knew I’d be visiting the museum, but it wasn’t until this weekend that I finally managed to sit down and watch it. If you’ve ever seen any of the major Ghibli releases, then you’re already familiar with Oga-san’s work and his lovingly hand painted backgrounds that have brought films such as My Neighbour Totoro and Princess Mononoke to life. Quite frankly he is the very best in the business – quite possibly the greatest animation background artist of all time – and this disc, in it’s very elegant and typically Ghibli way, shows you exactly why.

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Michiko to Hatchin is yet another anime series with expectations to live up to. Producing studio Manglobe has formed a fierce reputation for itself in the six short years since it’s conception, already delivering stylish, innovative shows such as Samurai Champloo and Ergo Proxy, both of which had also benefited from Sayo Yamamoto’s impressive storyboarding skills. M&H marks her directorial debut, but she’s also got some impressive staff to back her up. Most notable is character designer Hiroshi Shimizu, who has an insane CV that includes The Girl Who Leapt Through Time, Jin-Roh – The Wolf Brigade, Ghost in The Shell: Stand Alone Complex and Metropolis. Oh, and don’t forget his stint at Ghibli as a key animator, which saw him working on classics such as Princess Mononoke, Pom Poko and Porco Rosso among others. And did I mention that minor deity Champloo and Cowboy Bebop creator Shinichirō Watanabe acted as music producer for the series?

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I stumbled across a great blog today – Let’s Anime. Run by D Merrill from Ontario, it focuses on what he seems to believe is the golden age of anime, 1960 – 1990, with the aim of bringing some lesser known classics to your attention. Very worth checking out, not only for the great unknown titles you might discover, but also for Mr Merrill’s snappy writing style and to-the point opinion.

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I’m not usually someone that indulges too much in nostalgia, especially for the 1980s. But I cannot deny the mounting excitement I’ve been feeling over the last couple of months, knowing that the original Star Fleet/X-Bomber Xボンバ TV series was to be finally given an official DVD launch in the UK. One of the reasons I usually avoid nostalgia is the almost inevitable feelings of disappointment that are associated with it – anyone that’s gone back and played a retro video game from around that time only to realise that their rose-tinted spectacles are broken will understand exactly what I mean. The question is does Star Fleet suffer the same fate nearly 30 years later?

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I never tire of how my partner manages to make something Totoro related for special days, but I was particularly impressed when I she gave me this fantastic card this morning – so much so I had to share. Look at it. Awwww.

Have a great V-day, everyone.

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It looks like Bandai have put a lot of time in and money into the imminent Akira Blu-ray, hopefully putting to rest the fears of fans worldwide that it might be yet another quick transfer. According to Blu-ray.com, although the film had a full restoration for it’s 2001 DVD release, no punches have been pulled for it’s 20th anniversary, with the focus being moved onto remastering the score and soundtrack:

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Some exciting news for Ghibli fans: Spirited Away director and animation god Hayao Miyazaki is creating another manga. Although it’s by no means a first, it is a relatively rare event, with the legendary artist preferring to concentrate on his celluloid based work. What is most exciting is that it is another series for Japanese hobby magazine Model Graphix, and as such see’s Miyazaki returning to his intricate mechanical designs, as Ghibli World explains:

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As you can probably imagine, I constantly have a lot of anime waiting to be watched. Some of it is brand new recently broadcast shows, others entire series from years ago that I’m still trying to catch up with. However, cursed as I am with a job and a life, decisions have to be made as to which shows I follow and review, and which I just reject straight away. Usually watching one or two episodes is enough to tell, but occasionally shows come along that although they don’t earn my full attention, I can see they may still have something to offer to viewers. So, in the first of a regular series, I present a round up of first episodes you might want to check out.