Some of you may remember that I picked up several special treats on my visit to the Ghibli Museum in November. Chief among them was the Blu-ray of the Kazuo Oga Exhibition: Ghibli No Eshokunin – The One Who Painted Totoro’s Forest. It was something I’d been planning to grab ever since I knew I’d be visiting the museum, but it wasn’t until this weekend that I finally managed to sit down and watch it. If you’ve ever seen any of the major Ghibli releases, then you’re already familiar with Oga-san’s work and his lovingly hand painted backgrounds that have brought films such as My Neighbour Totoro and Princess Mononoke to life. Quite frankly he is the very best in the business – quite possibly the greatest animation background artist of all time – and this disc, in it’s very elegant and typically Ghibli way, shows you exactly why.
I’m not usually someone that indulges too much in nostalgia, especially for the 1980s. But I cannot deny the mounting excitement I’ve been feeling over the last couple of months, knowing that the original Star Fleet/X-Bomber Ｘボンバ TV series was to be finally given an official DVD launch in the UK. One of the reasons I usually avoid nostalgia is the almost inevitable feelings of disappointment that are associated with it – anyone that’s gone back and played a retro video game from around that time only to realise that their rose-tinted spectacles are broken will understand exactly what I mean. The question is does Star Fleet suffer the same fate nearly 30 years later?
It looks like Bandai have put a lot of time in and money into the imminent Akira Blu-ray, hopefully putting to rest the fears of fans worldwide that it might be yet another quick transfer. According to Blu-ray.com, although the film had a full restoration for it’s 2001 DVD release, no punches have been pulled for it’s 20th anniversary, with the focus being moved onto remastering the score and soundtrack:
As you have probably already guessed from the title, Sword of the Stranger is a Samurai action (or chanbara チャンバラ) movie, and the feature film debut of Masahiro Ando, who’s previous directorial work includes the TV series Canaan as well as being a key animator on projects such as Cowboy Bebop, Ghost in The Shell and Planetes. It’s an impressive CV, no doubt about it, and one that means expectations from both the industry and fans are high.